Tag: Transphobia | Varta Trust

This illustration is a combination of a photograph and text extracted from the accompanying article. The photograph shows a scene from the dialogue ‘Queer Worldmaking in the Face of Conversion Therapy’ that took place at Kalinath Angan, Kolkata on January 18, 2025. Moderator Meghjit Sengupta (centre) and panellist Aritra C. (to Meghjit’s left) look on as panellist Meera Dhebar makes a point during the dialogue. Meera refers to a file on her laptop as she speaks. The laptop is kept on a centre table placed close to the three speakers. A Progress Pride Flag can be seen mounted on the wall behind the speakers. A phone mounted on a tripod stand for recording the dialogue is placed a couple of feet from the speakers. The scene captured in the photograph can also be seen on the mobile phone screen. The accompanying text says: “Because sometimes in this very cis-heteronormative and heteropatriarchal world steeped in discourses of othering, a few moments of solace in being seen can provide enough joy to carry us through the moments of isolation and disconnection.” Photo credit: Pawan Dhall

Commentary Jun '25

On queer self-determination (part 1)

By Meera, Aritra C.

An e-conversation series between mental health professionals Meera Dhebar and Aritra C. on queer worldmaking across time periods and cultures

This image shows a still from the award-winning documentary film ‘Amma’s Pride’ directed by Shiva Krish. In the image, Srija, the main protagonist of the film is seen smiling and talking on her mobile phone, while Valli, her mother, looks on standing next to her also smiling brightly. Mother and daughter are both inside their house, and in the background can be seen sundry household objects placed on shelves or hanging on walls. The background objects have been slightly blurred to enhance the focus on Srija and Valli. Image courtesy Shiva Krish

Happenings, Vartanama May '25

Pursuing resilience, embracing hope

By Meghjit Sengupta, Pawan Dhall

Meghjit Sengupta reflects on an event centred around award-winning documentary ‘Amma’s Pride’, the story of transgender woman Srija whose marriage to Arunkumar, a cisgender man, in 2019 set a legal...

This indoor mid-range photograph shows drag artiste Ahon Gooptu acting out a scene from the show ‘Item’. The performance space is a room painted white, with wooden furniture, a door and two windows polished brown; the room has a tiled floor and a high ceiling with beams running criss-cross. The room has a blue and white, staid ambient light. A lightly bearded and moustachioed Ahon is dressed in a light-coloured saree, full-sleeved blouse, light jewellery on his neck, wrists, fingers, and ears, and designer footwear; his shoulder-length hair is curly and untied. Ahon is seated at a wooden table, one leg over the other. The table top is cluttered with a table lamp illuminating the wall next to it, a painted flower vase with artificial flowers, a small wooden case, a couple of Japanese hand fans, and four sets of blingy goggles. Ahon has a pensive, far-off look as he mouths some dialogues. A few greeting cards and cutouts are pasted on the wall next to the table. One of them, with rainbow hues, says “Fab Yule Us”, while another says “You’re a cut above the rest.” A little distance behind Ahon is a full-length, wooden-framed mirror placed in a corner against the wall. Two windows, their shutters closed, can be seen on the walls next to the mirror. A pink dupatta and a blanket with two shades of green hang from a beam on the ceiling adding to the colourful but restrained ambience. Photo credit: Abhilasha Das

Insight, Vartanama Apr '25

Zenia, ‘Item’ and the future of the (western) queer dream

By Mihir Seth

Mihir Seth fears the dream of being oneself is crumbling as queer and transgender rights face setbacks globally

This photograph shows a close-up shot of some of the books mentioned by the author in the accompanying article. One lot of five books are kept in a not-so-neat vertical pile on the author’s study table. These include T. J. Klune’s ‘In the Lives of Puppets’, ‘The House in the Cerulean Sea’ and ‘Somewhere Beyond the Sea’, Aiden Thomas’ ‘Cemetery Boys’, and Mason Deaver’s ‘Wish You All the Best’ right on top of the pile. Lex Croucher’s ‘Gwen & Art Are Not in Love’ is placed reclining on the pile on the right- hand side. To the pile’s left is the cover page of Andrew Joseph White’s ‘Hell Followed with Us’ visible on a Kindle e-reader. An open laptop, pen stand, and photo frame can be seen crowding the same study table as the books. In the background are two almirahs and a door ajar. Photo credit: Mihir Seth

Printed Word, Vartanama Jan '25

Notes on hoping taken from teenage queer fiction

By Mihir Seth

Mihir Seth finds the strength to go on in queer stories of trials, tribulations and hope

This image is a sketch of Arvey Malhotra’s face drawn by Rimu Panda and posted on Instagram along with a line that says “Sweet soul, we are all sorry.” In the sketch, a youthful Arvey is looking at the reader, gently smiling and holding up his hands to show nails painted in different patterns and colours. Arvey was a jewellery and nail paint artist. He is wearing a red ring on the ring finger on his left hand. He has a thick mop of hair and is bearded. He is wearing a light brown pullover jacket. The artist has drawn a small white halo above Arvey’s head to the left side of the image. The sketch has a pleasing background of hues of pink, yellow and orange. The image has been slightly edited by the author of the article Mihir Seth

Insight, Vartanama Mar '24

The paradoxical need for queer death

By Mihir Seth

Death by suicide among queer youth should galvanize action to address the global mental health crisis, argues Mihir Seth

This daytime photograph shows around half a dozen parents and other family members of queer persons smiling brightly and walking behind a large banner of Sweekar – The Rainbow Parents at the ‘20th Kolkata Rainbow Pride Walk’ held on December 17, 2023. The author is also among these parents. A few individuals walking behind them are holding up two placards in Bengali that translated into English say: “So what if they are trans or gay, they are our children.” The photograph has been taken at a point on Park Street, from where a part of the Maa flyover can be seen behind the walkers. A popular furniture store Wood Junction can be seen on the right side of the photograph, while several tall trees are visible on the left side. The background behind the parents is a mish-mash of hundreds of other walkers, hoardings, traffic lights, and overhead cable wires. The sky above is a clear greyish blue. Photo courtesy Sweekar – The Rainbow Parents

Vartanama Feb '24

Why I walked with the banner of Sweekar

By Mahua Seth

Mahua Seth walked as an ‘out’ parent of a queer child at the ‘20th Kolkata Rainbow Pride Walk’ and loved every moment of it

This is an early evening mid-range shot of around 14 trans masculine and other queer persons associated with the Samarth trans collective of Odisha standing behind a large rainbow pride flag during the ‘Puri Rainbow Pride Walk’ held on June 13, 2023. The flag is held at chest level across several of the walkers. Some of them are also holding posters with Odia and English text or small rainbow pride flags. They are all smiles as they look at the camera, and exude happiness. A number of other walk participants can be seen behind them. In the background, to the left, are several buildings, while to the right are some more buildings, a couple of palm trees, and a handful of open sky. Photo courtesy SAATHII

Vartanama Nov '23

Dreams and demands

By Bana, Pawan Dhall

Trans masculine individuals in Odisha are speaking up louder about their aspirations for the future – Bana shares a wish list with ‘Varta’ – hopefully most of it will come...

This photograph shows the author Amrita Sarkar conducting a sensitization session on transgender health with the staff of All India Institute of Medical Sciences (AIIMS), Delhi earlier this year. In a conference hall lit brightly with ceiling lights, around 30 AIIMS staff members of different genders are seated in two columns. The author is standing in the aisle between the two columns, and appears to be answering the question of one of the staff members. In the background, the main entrance to the conference room, two curtained windows, and a side door are visible. A camera fixed on a tripod stand is also visible, close to the main entrance. Photo courtesy AIIMS

My Story Oct '23

How my tomorrow should look like

By Amrita Sarkar

A decade into the future, Amrita Sarkar wants the trans and queer movements to focus their energies on mental health and geriatric concerns

This illustration is a combination of a photograph and text extracted from the accompanying article. The photograph shows a midrange, semi silhouette shot of the author standing barefoot on a sea beach during sunrise. She has her back to the camera, looking out at the open sea. The sea water laps at her feet. Barring a small wave at some distance from the author, the surface of the sea is a calm golden, reflecting the light of the sun still low on the horizon. The sea water seems to extend indefinitely and one cannot make out where it merges with the sky. The accompanying text says: “Despite everything, I’m hopeful about the upcoming 10 years. Our community is resilient and deeply engaged in the resistance against oppression. In 10 years from now, we may yet be able to have better queer representation at the government level. We may yet succeed in pushing gender and sexuality education at the school level, and gain horizontal reservation for the trans community in the spheres of education and employment. I believe that the process of queer inclusion will be gradual but it can’t be stopped or reversed.” Photo courtesy Meghna Mehra

Commentary Oct '23

Wishlist for queer pride and asexual visibility

By Meghna Mehra

Meghna Mehra believes that the future will be queer, along with freer expressions of asexuality becoming a reality in India and elsewhere in the next 10 years

Cinemascope, Vartanama Sep '23

Celebrating the queer gaze in Hindi cinema

By Debjyoti Ghosh

As ‘Varta’ turned 10 on August 1, 2023, Debjyoti Ghosh caught up with pioneering filmmaker Onir for a chat on his vision for queer empowerment in Hindi cinema and beyond

This illustration is a combination of a photograph and text extracted from the accompanying article. The photograph is of a large blackboard with a light brown wooden frame. At the lower edge of the blackboard, the wooden frame has a ledge on which some chalk and a duster are placed. Text extracted from the accompanying article has been placed on the blackboard image in a typeface to simulate the image of text written with white chalk on a blackboard. The text says: “What can discussions on sexuality in a classroom do? I believe that when we confront sexual difference in the classroom, we learn to understand and respect diversity. Queer perspectives and narratives of pride and suffering open a space not just for acceptance but critical self-understanding. Queer lives are so precarious that even a space bound by a timetable can be liberating. Being acknowledged and validated in a classroom may engender a hope to survive outside it, and sometimes, it is survival that is at stake.” Blackboard image courtesy Cliparts.co via ‘Wikimedia Commons’

Insight, Vartanama Aug '23

For that sliver of hope

By Zaid Al Baset

Making educational institutions inclusive spaces for everyone is an uphill battle, but Zaid Al Baset is not giving up yet – his forecasts on inclusion as ‘Varta’ completes 10 years

Quote: Somewhere amid all these positives, I also expect queer people with disabilities to be more visible, do well in life, and not be silenced in both queer and disability communities. Homophobic, transphobic and ableist people will still be around, but they may well be pushed to the fringes. A decade hence we may sit down and compare the predictions made by various authors on the pages of Varta and calculate the percentage of those that have come true.

My Story Aug '23

Cautious predictions for 2033 CE

By Rajib Chakrabarti

On ‘Varta’ webzine completing 10 years, Rajib Chakrabarti writes about the changes he expects to see for queer people and persons with disabilities a decade from now

This is a close-up indoor shot of a pile of six mid-sized ‘motichoor’ laddus placed on parchment paper on a black plate. The gorgeous and mouthwatering orange colour of the laddus is marked with specs of green, red and white condiments. The background of the photograph is blurred to enhance the appeal of the laddus. Main photo credit: Priyam1307 via ‘Wikimedia Commons’

Vartanama Apr '23

All this marriage (equality) talk!

By Pawan Dhall

Pawan Dhall has something to say to argumentative Indians who’ve been bickering over who can have the marriage laddu and who can have only the laddu

This graphic is a combination of a photograph and text. The photograph is a close-up shot of a poster being held up by a participant at the ‘19th Kolkata Rainbow Pride Walk’ held on December 18, 2022. In large white-on-black letters, the poster says: “Trans is not meant to be tokenized”. The participant is not visible in the photograph but their hands holding the poster can be seen. The text accompanying the photograph says: “It was argued that even if one person has been issued a transgender identity card, then under Article 14 of the Constitution, the principles of justice and equality imply that all other persons who have applied for the identity card must also be issued such cards by the relevant government authorities. The court has upheld these principles and has directed the state government to address all the applications pending till date.” Photo credit: Kaushik Gupta

Happenings, Policy Matters Jan '23

Judicial fillip to transgender rights once again

By Pawan Dhall

Calcutta High Court has given the Government of West Bengal a month to clear the long-pending backlog on transgender identity certification in the state

The graphic is a symbolic amalgamation of the key issues discussed in the accompanying article. Upfront in the graphic is a flag created for the global mental health movement by The Pete Foundation, Louisville, USA in 2020 in collaboration with mental health organizations / care providers, artists, designers, advocates, and community members in the US and elsewhere. The graphic, a horizontal rectangle, shows arcs of different shades of green and yellow radiating outwards from the lower left corner of the rectangle. It begins with a dark shade of green, followed by lighter ones and finally a yellow band. Green is the colour for mental health awareness, and forms the base of the flag. The design reflects a shift from dark to lighter colours, representing the various states of our emotional or psychological life, and the collective efforts to bring the topic of mental health out of the darkness and into the light. In the background to this flag is the rainbow flag, a popular symbol adopted by the queer rights movements worldwide. The mental health movement flag is superimposed on the rainbow flag such that the second flag provides only a narrow but distinct rainbow-coloured border to the first flag. Overall, the graphic attempts to represent the issue of queer affirmative therapy or queer affirmative counselling practices. Images for both flags sourced from Wikimedia Commons

Insight Dec '22

Well-being through a queer affirmative lens (part 2)

By Dr. Srabasti Majumdar

Srabasti Majumdar explains how queer affirmative therapy takes into account the inter-dependence between mind and body in ensuring well-being for queer people

The graphic shows a flag created for the global mental health movement by The Pete Foundation, Louisville, USA in 2020 in collaboration with several mental health organizations / care providers, artists, designers, advocates, and community members in the US and elsewhere. The graphic, a horizontal rectangle, shows arcs of different shades of green and yellow radiating outwards from the lower left corner of the rectangle. It begins with a dark shade of green, followed by lighter ones and finally a yellow band. Green is the colour for mental health awareness, and forms the base of the flag. The design reflects a shift from dark to lighter colours, representing the various states of our emotional or psychological life, and the collective efforts to bring the topic of mental health out of the darkness and into the light. Image sourced from Wikimedia Commons

Insight Nov '22

Well-being through a queer affirmative lens (part 1)

By Dr. Srabasti Majumdar

Srabasti Majumdar dwells on what queer affirmative therapy means and its significance for the well-being of queer people

Tagged Under: Transphobia

On queer self-determination (part 1)

Pursuing resilience, embracing hope

Zenia, ‘Item’ and the future of the (western) queer dream

Notes on hoping taken from teenage queer fiction

The paradoxical need for queer death

Why I walked with the banner of Sweekar

Dreams and demands

How my tomorrow should look like

Wishlist for queer pride and asexual visibility

Celebrating the queer gaze in Hindi cinema

For that sliver of hope

Cautious predictions for 2033 CE

All this marriage (equality) talk!

Judicial fillip to transgender rights once again

Well-being through a queer affirmative lens (part 2)

Well-being through a queer affirmative lens (part 1)

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