Tag: Homophobia | Varta Trust

This photograph is a daytime long shot of the ‘Budapest Pride 2025’. Literally, a sea of people dressed in diverse colours, carrying queer pride banners and rainbow umbrellas can be seen approaching and walking across a bridge in the heart of Budapest. The walkers are moving away from the camera, with one or two facing the camera to take photographs. Bright sunlight shines on the walkers as they march past tall buildings on either side of the road, on to the bridge. Dense greenery can be seen on the far side of the bridge forming an imposing green backdrop. Photo credit: European Greens – Andras Mayer, sourced from Wikimedia Commons

Vartanama Dec '25

Power in hope

By Mahua Seth

Mahua Seth on the emergence of queer resilience in response to the setbacks that marked queer lives in 2025 across the world

Quote: The pattern of sexual violence within the premises of educational institutions raises multifaceted concerns of safety, role of institutional authority, justice and a growing atmosphere of normalized intolerance and violence against vulnerable sections of society. These include not just women but also queer persons who have to deal with social stigma, violence, lack of full and effective legal rights, and widespread discrimination.

Insight Nov '25

Queer students in Kolkata campuses cope with safety concerns

By Surjo Pramanik

Incidents of sexual assault against women in higher education institutions in Kolkata make queer students fear for their own safety – a report by Surjo Pramanik with inputs from Sahil...

Quote: I am reminded of my training days where queerphobia, casteism, and ableism were so rampant that it was hard for me to gulp it down day after day and pretend as if there was nothing wrong. At this time, there was no singular event to signify the change I experienced. But it was life-changing for me in the sense that I stopped looking at the training curriculum as unbiased. I could zoom out and look at the curriculum critically, which is often difficult as we remain strongly enmeshed within the training system.

Commentary, Insight Sep '25

On queer self-determination (part 3)

By Meera, Aritra C.

Mental health professionals Meera Dhebar and Aritra C. continue their conversation on queer worldmaking across time periods and cultures

This image is a combination of a photograph with text extracted from the accompanying article superimposed on the photograph. The photograph shows a dusk-time long shot of a sunset. The sun, a golden yellow sphere, can be seen gleaming at the bottom edge of the photograph. Some building tops and TV antennae silhouetted against the sunlight can also be seen along the bottom edge of the photograph. The rest of the photograph shows a wide expanse of a mauve sky speckled with light clouds. The text is presented in a typeface resembling handwriting and says: “When we talk of the pain and trauma of conversion therapy, this is also an area where I feel compelled to intervene and stop this horrific practice. Aritra, we both know people who have gone through this, and we have learned from them about the torturous outcomes and consequences. It is heartbreaking to think that wanting to live as who we are is still considered to be something to be ashamed of and to remain hidden. So, as someone older, I also want those younger to know that it is possible to not just survive, but to thrive, to find love, to create a chosen family, and to also continue to strive for change.” Photo credit: Pawan Dhall

Commentary, Insight Jul '25

On queer self-determination (part 2)

By Meera, Aritra C.

The e-conversation between mental health professionals Meera Dhebar and Aritra C. on queer worldmaking across time periods and cultures continues

This illustration is a combination of a photograph and text extracted from the accompanying article. The photograph shows a scene from the dialogue ‘Queer Worldmaking in the Face of Conversion Therapy’ that took place at Kalinath Angan, Kolkata on January 18, 2025. Moderator Meghjit Sengupta (centre) and panellist Aritra C. (to Meghjit’s left) look on as panellist Meera Dhebar makes a point during the dialogue. Meera refers to a file on her laptop as she speaks. The laptop is kept on a centre table placed close to the three speakers. A Progress Pride Flag can be seen mounted on the wall behind the speakers. A phone mounted on a tripod stand for recording the dialogue is placed a couple of feet from the speakers. The scene captured in the photograph can also be seen on the mobile phone screen. The accompanying text says: “Because sometimes in this very cis-heteronormative and heteropatriarchal world steeped in discourses of othering, a few moments of solace in being seen can provide enough joy to carry us through the moments of isolation and disconnection.” Photo credit: Pawan Dhall

Commentary Jun '25

On queer self-determination (part 1)

By Meera, Aritra C.

An e-conversation series between mental health professionals Meera Dhebar and Aritra C. on queer worldmaking across time periods and cultures

This photograph shows a close-up shot of some of the books mentioned by the author in the accompanying article. One lot of five books are kept in a not-so-neat vertical pile on the author’s study table. These include T. J. Klune’s ‘In the Lives of Puppets’, ‘The House in the Cerulean Sea’ and ‘Somewhere Beyond the Sea’, Aiden Thomas’ ‘Cemetery Boys’, and Mason Deaver’s ‘Wish You All the Best’ right on top of the pile. Lex Croucher’s ‘Gwen & Art Are Not in Love’ is placed reclining on the pile on the right- hand side. To the pile’s left is the cover page of Andrew Joseph White’s ‘Hell Followed with Us’ visible on a Kindle e-reader. An open laptop, pen stand, and photo frame can be seen crowding the same study table as the books. In the background are two almirahs and a door ajar. Photo credit: Mihir Seth

Printed Word, Vartanama Jan '25

Notes on hoping taken from teenage queer fiction

By Mihir Seth

Mihir Seth finds the strength to go on in queer stories of trials, tribulations and hope

This photograph shows a scene from the re-enactment of the skit ‘Koti Ki Atma’ at Café Adda Ghar, Kolkata on November 4, 2023. Three actors are acting out a scene before a small invited audience. The play is being performed in an open but small and intimate part of the café, lit with a few overhead lamps and other sources of light not visible in the photograph. A black cloth background and a few props form the backdrop behind the actors who are facing the camera. Some of the members of the audience visible in the photograph, half a dozen or so (of the total 40-45), are seated close to the actors on plastic chairs, and have a bemused look as they watch the play up close. A video camera can be seen on the left edge of the photograph recording the play. A photographer, with her camera in hand, is also among the audience, standing just next to the people seated. Darkened tall glass panes forming one of the walls of the café can be seen behind her. A poster of the café menu is pasted on one of the glass panes. Photo credit: Suchandragraphy

From the Archives, Insight Jul '24

Remembered sexual futures

By Diksha Sanyal

Diksha Sanyal summarizes a study on the art and cultural advocacies undertaken by queer community groups in West Bengal in the 1990s and 2000s. The study has been co-developed by...

This image is a sketch of Arvey Malhotra’s face drawn by Rimu Panda and posted on Instagram along with a line that says “Sweet soul, we are all sorry.” In the sketch, a youthful Arvey is looking at the reader, gently smiling and holding up his hands to show nails painted in different patterns and colours. Arvey was a jewellery and nail paint artist. He is wearing a red ring on the ring finger on his left hand. He has a thick mop of hair and is bearded. He is wearing a light brown pullover jacket. The artist has drawn a small white halo above Arvey’s head to the left side of the image. The sketch has a pleasing background of hues of pink, yellow and orange. The image has been slightly edited by the author of the article Mihir Seth

Insight, Vartanama Mar '24

The paradoxical need for queer death

By Mihir Seth

Death by suicide among queer youth should galvanize action to address the global mental health crisis, argues Mihir Seth

This daytime photograph shows around half a dozen parents and other family members of queer persons smiling brightly and walking behind a large banner of Sweekar – The Rainbow Parents at the ‘20th Kolkata Rainbow Pride Walk’ held on December 17, 2023. The author is also among these parents. A few individuals walking behind them are holding up two placards in Bengali that translated into English say: “So what if they are trans or gay, they are our children.” The photograph has been taken at a point on Park Street, from where a part of the Maa flyover can be seen behind the walkers. A popular furniture store Wood Junction can be seen on the right side of the photograph, while several tall trees are visible on the left side. The background behind the parents is a mish-mash of hundreds of other walkers, hoardings, traffic lights, and overhead cable wires. The sky above is a clear greyish blue. Photo courtesy Sweekar – The Rainbow Parents

Vartanama Feb '24

Why I walked with the banner of Sweekar

By Mahua Seth

Mahua Seth walked as an ‘out’ parent of a queer child at the ‘20th Kolkata Rainbow Pride Walk’ and loved every moment of it

This illustration is a combination of a photograph and text extracted from the accompanying article. The photograph is of a large blackboard with a light brown wooden frame. At the lower edge of the blackboard, the wooden frame has a ledge on which some chalk and a duster are placed. Text extracted from the accompanying article has been placed on the blackboard image in a typeface to simulate the image of text written with white chalk on a blackboard. The text says: “What can discussions on sexuality in a classroom do? I believe that when we confront sexual difference in the classroom, we learn to understand and respect diversity. Queer perspectives and narratives of pride and suffering open a space not just for acceptance but critical self-understanding. Queer lives are so precarious that even a space bound by a timetable can be liberating. Being acknowledged and validated in a classroom may engender a hope to survive outside it, and sometimes, it is survival that is at stake.” Blackboard image courtesy Cliparts.co via ‘Wikimedia Commons’

Insight, Vartanama Aug '23

For that sliver of hope

By Zaid Al Baset

Making educational institutions inclusive spaces for everyone is an uphill battle, but Zaid Al Baset is not giving up yet – his forecasts on inclusion as ‘Varta’ completes 10 years

This illustration is a combination of a photograph and text extracted from the accompanying article. The photograph, a daytime selfie shot, shows the author Mahua Seth with her son Mihir Seth on a holiday trip. Mother and son, both bespectacled, are all smiles as they look into the camera. Behind them is a sweeping expanse of mountains marked with patches of vegetation, reflecting the bright sunlight. The sky above is a hazy blue marked with cotton white clouds. The accompanying text says: “It became clear to me that we need to build more awareness across every section of society. The Nigerian Igbo communities got it right when they said “It takes a village to raise a child.” We need to work with the parents, of course, but also the uncles, aunts, teachers, coaches, colleagues and neighbours. Photo credit: Mahua Seth

My Story Aug '23

Building a better future with safe spaces, empathy and hugs

By Mahua Seth

As ‘Varta’ webzine turns 10, Mahua Seth imagines a more caring and affirming future, not just for queer people but also their parents and families

Quote: Somewhere amid all these positives, I also expect queer people with disabilities to be more visible, do well in life, and not be silenced in both queer and disability communities. Homophobic, transphobic and ableist people will still be around, but they may well be pushed to the fringes. A decade hence we may sit down and compare the predictions made by various authors on the pages of Varta and calculate the percentage of those that have come true.

My Story Aug '23

Cautious predictions for 2033 CE

By Rajib Chakrabarti

On ‘Varta’ webzine completing 10 years, Rajib Chakrabarti writes about the changes he expects to see for queer people and persons with disabilities a decade from now