Tag: Gender Justice | Varta Trust

Brewing success from scratch

By Roopam Saha, Swati Das, Souvik Rakshit

Roopam Saha, Swati Das and Souvik Rakshit narrate Kolkata-based trans entrepreneur Ayush’s story of grit, survival and coffee innovations

This photograph shows a copy of the book ‘Rokomfiri Jounota’ placed on a vibrant, draped red fabric surface. A booklet containing 14 photographs related to the book printed separately can also be seen placed next to the book. The book cover is in black with a dramatic monochromatic image of a bound torso and the names of the book and the editor printed in bold text. The accompanying booklet has a clean white cover with black text. A pair of silver metal handcuffs sits open above the books. Photo credit: Kaushik Gupta

Insight, Printed Word Aug '26

Beyond the binary of vanilla and deviant

By Pompi Banerjee

Pompi Banerjee pens a thematic review of ‘Rokomfiri Jounota: Sammati-Suraksha-Sanjog-Samman’, an unprecedented book on kink in Bengali

Quote: The election season, with all its usual gimmicks and phrases like ‘nari shakti’ doing the rounds again, motivated us to speak to diverse groups of women – students, working professionals, disabled working professionals, domestic workers, informal workers and housewives. Each with a distinct lived experience and lived expertise, which we sought in order to frame our policy recommendations. ‘Women’s welfare’ is public policy’s favourite word, but what do women really want?

Insight, Vartanama May '26

Women and the State: Welfare, safety and everyday life in Bengal

By Indrani Chatterjee, Nivedita Biswas

What do women in West Bengal want in terms of social security – highlights from a study conducted just before the recent Legislative Assembly elections

This is a daytime mid-range shot of the author holding a handwritten poster at a public protest organized at Jantar Mantar, Delhi on March 29, 2026 against the Transgender Persons (Protection of Rights) Amendment Bill, 2026. The author is standing facing the camera. In bold and colourful letters on a white background, the poster headline says “Viksit Bharat, Transphobic Bharat” with the first two words distinctly crossed out. Next to the headline, there is more text that says, “#Reject Trans Bill 2026” and “#NoGoingBack”. All around the author, there is a large crowd of protestors numbering at least 100. Further into the background, a stage has been erected for protest speeches, with a long protest banner forming the backdrop. Tall trees provide shelter for the protestors against the strong sun. Photo credit: Professor Harikarthik Ramesh

Vartanama Apr '26

What are rights without the right to self-identify one’s gender?

By Sudhasri Yadavalli

Sudhasri Yadavalli analyses the systemic harms likely to result from the Transgender Persons (Protection of Rights) Amendment Act, 2026

In this night-time long shot photograph, a large group of protesters are gathered at Ranu Chhaya Mancha in Central Kolkata on March 15, 2026 to protest the Transgender Persons (Protection of Rights) Amendment Bill, 2026. Some of them are standing on a platform holding a long horizontal banner that reads: "We are not a diagnosis. We reject Trans Bill 2026". The banner text is printed in bold capitalized letters on a black background. Several hashtags like #Rage and #Rise are printed below the text, and thought blurbs in Bengali like “Dhikkar”, “Parichay” and “Ladai” are scattered on both sides of the text on the banner. Several other protestors hold placards and posters related to transgender rights, and stand below the platform, facing a central speaking area. The slogans on the posters and placards say “We Reject Trans Bill 2026” and “Self-identity Is My Right”. Some individuals appear to be listening attentively to speeches being made in the speaking area, while others converse among themselves. A large soundbox can be seen placed next to the platform. The atmosphere suggests an organized demonstration. Several tall trees and a lamppost juxtaposed against the night sky form the backdrop. Photo credit: Meghjit Sengupta

Insight Mar '26

Recognition, struggle and politics of dignity

By Ayushman Roy, Meghjit Sengupta, Surjo Pramanik

The amended trans rights law is all about social injustice and disempowerment – Ayushman Roy, Meghjit Sengupta and Surjo Pramanik report on the recent protests against the law in Kolkata

This is a horizontally rectangular graphic that shows a banner prepared for a community protest planned against the Transgender Persons (Protection of Rights) Amendment Bill, 2026 on March 15, 2026 from 5.00 pm at Ranu Chhaya Mancha in Central Kolkata. On a background of blue, pink and white stripes, the colours traditionally associated with transgender rights, the banner headline in bold black says “Transgender Communities Reject Trans Amendment Bill, 2026”. Below the headline are three hashtags ‘gather’, ‘agitate’, and ‘nogoingback’. Below the hashtags, the event date, time and venue are mentioned. A tagline at the bottom says “We are not a diagnosis. Our identities are not up for approval.” On the bottom right corner of the graphic, three fisted hands raised in protest and a red loudspeaker can be seen. Graphic credit: QT* Strategizing Group for Trans Bill 2026

Happenings, Vartanama Mar '26

Transgender communities reject Trans Bill 2026

By QT* Strategizing Group for Trans Bill 2026

Media advisory issued by a network of trans and queer individuals and collectives in West Bengal to oppose the Transgender Persons (Protection of Rights) Amendment Bill, 2026

This photograph is a daytime long shot of the ‘Budapest Pride 2025’. Literally, a sea of people dressed in diverse colours, carrying queer pride banners and rainbow umbrellas can be seen approaching and walking across a bridge in the heart of Budapest. The walkers are moving away from the camera, with one or two facing the camera to take photographs. Bright sunlight shines on the walkers as they march past tall buildings on either side of the road, on to the bridge. Dense greenery can be seen on the far side of the bridge forming an imposing green backdrop. Photo credit: European Greens – Andras Mayer, sourced from Wikimedia Commons

Vartanama Dec '25

Power in hope

By Mahua Seth

Mahua Seth on the emergence of queer resilience in response to the setbacks that marked queer lives in 2025 across the world

Quote: The scholarship will offer needs-based support for one or more of the following: Tuition fees (partial / full amount), basic academic necessities, expenses for travel, accommodation, meals, necessary tools for learning (for candidates opting for vocational training) and other incidental costs that act as hidden barriers preventing students from accessing and continuing education (subject to a specific maximum amount per person in a year). It will provide support for queer and trans inclusion in educational institutions, academic continuity, skill-based training for livelihood, and pathways into dignified employment.

Vartanama Nov '25

New Dawn Queer-Trans Education Scholarship Programme

By Varta Economic Inclusion Mentoring Forum

Excerpts from the concept note of Varta Trust’s formal and vocational education scholarship programme for socioeconomically disadvantaged queer-trans Individuals in West Bengal

Quote: The pattern of sexual violence within the premises of educational institutions raises multifaceted concerns of safety, role of institutional authority, justice and a growing atmosphere of normalized intolerance and violence against vulnerable sections of society. These include not just women but also queer persons who have to deal with social stigma, violence, lack of full and effective legal rights, and widespread discrimination.

Insight Nov '25

Queer students in Kolkata campuses cope with safety concerns

By Surjo Pramanik

Incidents of sexual assault against women in higher education institutions in Kolkata make queer students fear for their own safety – a report by Surjo Pramanik with inputs from Sahil...

This mid-range indoor photograph shows the author of this article Kheya Barai and the curator of the ‘Queer Objects 1.0’ exhibition Rishav Thakur standing on either side of the author’s exhibits ‘Breasts 1’ and ‘Breasts 2’ mounted on a wall in a well-lit corner of the exhibition hall. Rishav is leaning casually slightly against the wall. The first exhibit is vertically rectangular in shape and has a black wooden frame. A white cotton vest worn by a trans man is pasted on to a red background. Two flower-shaped 3D objects resembling human breasts are pinned on the chest area of the vest. The objects have been created from crumpled pink crepe bandages used by two trans masculine individuals as binders. The crepe material is marked with silvery glitter. The second exhibit is a mid-sized circular and flat object, dark brown in colour. The brown colour comes from lush embroidery threads. The exhibit has been created from a vest worn by a trans woman pre-gender transition and a crepe bandage used as a binder by a trans man, also pre-gender transition. Two silvery flower-like objects resembling human breasts have been pinned on the chest area of the vest. Photo credit: Bhaskar Jyoti Rabha

Creations, Insight Oct '25

Textured titties

By Kheya Barai

Kheya Barai writes the fourth and last in a series of articles by the artists who participated in the ‘Queer Objects 1.0’ exhibition held in Guwahati in late 2023

Quote: Transgression of boundaries in 'Aamis' sets the protagonists as well as the audience on a path of realization that nothing is off limits. What can be eaten, what cannot be eaten, who can be desired, and who cannot be desired are just some of the questions that the film explores. The appetite of humans for food and desire cannot be contained. The garb of respectability within the confines of morality leads to suppression of desires. The intimacy that the protagonists craved between themselves was never expressed in words or actions. Instead, their forbidden desires found a release in food.

Commentary Sep '25

Liberation in sin

By Dr. Sankalpa Satapathy

Questioning the so-called morals around desire can set us on the path to a more accepting, less judgmental life, says Dr. Sankalpa Satapathy

This is a mid-range photograph of a community dialogue on dementia awareness underway at Storyteller Bookstore in South Kolkata on August 23, 2025. The dialogue was organized by the mental health peer counsellors associated with Varta Trust. On the left, Nilanjana Maulik, Secretary of the Calcutta Chapter of the Alzheimer’s and Related Disorders Society of India, is seated on a chair. She was the main speaker and can be seen smiling and talking to the participants in an animated manner. Around a dozen individuals, a mix of different genders and part of a larger audience not seen in the photograph, are seated in a semi-circle on chairs facing the speaker and listening attentively. A large TV screen can be seen behind the speaker displaying a slide from her presentation. An open laptop and some books can be seen placed on a low desk next to the speaker. Brightly coloured walls and book shelves of the bookstore make up the backdrop. The bookstore is lit up in a cheerful golden yellow light. Photo credit: Swati Das

Happenings, Vartanama Aug '25

From stigma to support: Talking dementia in queer and transgender communities

By Pawan Dhall, Sahil

Pawan Dhall and Sahil report on an interactive session on understanding and coping with dementia held recently in Kolkata

This illustration includes text extracted from the accompanying article superimposed on a vertically rectangular image of a musty grey wall, scarred and pockmarked in places. The image is symbolic of the wall described by the author in their article. The text extract says: "Together, the writings made a wall that refused erasure. Not aesthetic, but insurgent. Not decoration, but documentation. A manifesto of madness, queerness, resistance, and everything else the law school had no vocabulary for.” Background image credit P R on Unsplash

My Story Aug '25

The wall that held me

By Risha

Risha writes about their relationship with a scarred wall full of personal and political writings in their university hostel room

This image is a combination of a photograph and text extracted from the accompanying article. The mid-range photograph shows filmmaker Rituparno Ghosh smiling, looking at and speaking to someone outside the frame. Other people can be seen in the background, suggesting it to be a public occasion. The filmmaker seems to be seated on a chair. He is wearing spectacles, a head wrap, and a scarf, all black in colour, paired with a grey-brown patterned shirt. The accompanying text says: “For me, Rituparno was a crossing, a journey between borders. Not India, not Bangladesh. Not man, not woman. Not familiar, not foreign. Somewhere in between, a new way of understanding emerged. What connected us wasn’t language or geography, but a shared longing. A shared desire to become.” Photo credit: Bollywood Hungama via ‘Wikimedia Commons’

My Story Jul '25

Rituparno Ghosh: Seen, unseen, and known in my own way

By Tara Asgar

In Rituparno Ghosh and his cinematic work Tara Asgar finds a shared longing to become something beyond binaries

This image shows a still from the award-winning documentary film ‘Amma’s Pride’ directed by Shiva Krish. In the image, Srija, the main protagonist of the film is seen smiling and talking on her mobile phone, while Valli, her mother, looks on standing next to her also smiling brightly. Mother and daughter are both inside their house, and in the background can be seen sundry household objects placed on shelves or hanging on walls. The background objects have been slightly blurred to enhance the focus on Srija and Valli. Image courtesy Shiva Krish

Happenings, Vartanama May '25

Pursuing resilience, embracing hope

By Meghjit Sengupta, Pawan Dhall

Meghjit Sengupta reflects on an event centred around award-winning documentary ‘Amma’s Pride’, the story of transgender woman Srija whose marriage to Arunkumar, a cisgender man, in 2019 set a legal...

This indoor mid-range photograph shows drag artiste Ahon Gooptu acting out a scene from the show ‘Item’. The performance space is a room painted white, with wooden furniture, a door and two windows polished brown; the room has a tiled floor and a high ceiling with beams running criss-cross. The room has a blue and white, staid ambient light. A lightly bearded and moustachioed Ahon is dressed in a light-coloured saree, full-sleeved blouse, light jewellery on his neck, wrists, fingers, and ears, and designer footwear; his shoulder-length hair is curly and untied. Ahon is seated at a wooden table, one leg over the other. The table top is cluttered with a table lamp illuminating the wall next to it, a painted flower vase with artificial flowers, a small wooden case, a couple of Japanese hand fans, and four sets of blingy goggles. Ahon has a pensive, far-off look as he mouths some dialogues. A few greeting cards and cutouts are pasted on the wall next to the table. One of them, with rainbow hues, says “Fab Yule Us”, while another says “You’re a cut above the rest.” A little distance behind Ahon is a full-length, wooden-framed mirror placed in a corner against the wall. Two windows, their shutters closed, can be seen on the walls next to the mirror. A pink dupatta and a blanket with two shades of green hang from a beam on the ceiling adding to the colourful but restrained ambience. Photo credit: Abhilasha Das

Insight, Vartanama Apr '25

Zenia, ‘Item’ and the future of the (western) queer dream

By Mihir Seth

Mihir Seth fears the dream of being oneself is crumbling as queer and transgender rights face setbacks globally

Tagged Under: Gender Justice