Tag: Activism | Varta Trust

This is a close-up shot of a feedback board put up at the ‘Rongdhonu Mela’, an inclusive queer-trans and disabled flea market and festival organized at Taltala Ground, Kolkata by Sappho for Equality on November 22-23, 2025. On a large white chart paper pasted on a wooden wall structure, people attending the festival have written appreciative comments or drawn rainbows and flowers as a symbol of their This is a close-up shot of a feedback board put up at the ‘Rongdhonu Mela’, an inclusive queer-trans and disabled flea market and festival organized at Taltala Ground, Kolkata by Sappho for Equality on November 22-23, 2025. On a large white chart paper pasted on a wooden wall structure, people attending the festival have written appreciative comments or drawn rainbows and flowers as a symbol of their appreciation. The feedback board itself looks like a colourful installation at the festival. The comments include statements like “This carnival is so fun”, “Wanna come back next year”, and “Thank you for giving us wings”. The feedback provides a glimpse of sorts into what queer worldmaking looks like. Photo courtesy Sappho for Equality and Nilanjan Majumdar

Commentary Nov '25

On queer self-determination (part 4)

By Meera, Aritra C.

Mental health professionals Meera Dhebar and Aritra C. conclude their conversation on queer worldmaking across time periods and cultures

Quote: I am reminded of my training days where queerphobia, casteism, and ableism were so rampant that it was hard for me to gulp it down day after day and pretend as if there was nothing wrong. At this time, there was no singular event to signify the change I experienced. But it was life-changing for me in the sense that I stopped looking at the training curriculum as unbiased. I could zoom out and look at the curriculum critically, which is often difficult as we remain strongly enmeshed within the training system.

Commentary, Insight Sep '25

On queer self-determination (part 3)

By Meera, Aritra C.

Mental health professionals Meera Dhebar and Aritra C. continue their conversation on queer worldmaking across time periods and cultures

This illustration includes text extracted from the accompanying article superimposed on a vertically rectangular image of a musty grey wall, scarred and pockmarked in places. The image is symbolic of the wall described by the author in their article. The text extract says: "Together, the writings made a wall that refused erasure. Not aesthetic, but insurgent. Not decoration, but documentation. A manifesto of madness, queerness, resistance, and everything else the law school had no vocabulary for.” Background image credit P R on Unsplash

My Story Aug '25

The wall that held me

By Risha

Risha writes about their relationship with a scarred wall full of personal and political writings in their university hostel room

Quote: What then are our expectations from life? I mean, apart from wanting Section 377, IPC to be struck off; apart from wanting recognition from our ‘straight’ fellow humans; apart from rights, space and privacy . . . What is it that each of our personal selves yearns for? Can we classify our desires into two broad divisions of love and sex? Does social sanction hold a lot of importance for us?

From the Archives, Vartanama Jul '25

Random thoughts 30 something years ago

By Pawan Dhall

On ‘Varta’ webzine’s 12th birthday, Pawan Dhall shares excerpts from an editorial published in the webzine’s predecessor ‘Pravartak’ in 1995

This image is a combination of a photograph and text extracted from the accompanying article. The mid-range photograph shows filmmaker Rituparno Ghosh smiling, looking at and speaking to someone outside the frame. Other people can be seen in the background, suggesting it to be a public occasion. The filmmaker seems to be seated on a chair. He is wearing spectacles, a head wrap, and a scarf, all black in colour, paired with a grey-brown patterned shirt. The accompanying text says: “For me, Rituparno was a crossing, a journey between borders. Not India, not Bangladesh. Not man, not woman. Not familiar, not foreign. Somewhere in between, a new way of understanding emerged. What connected us wasn’t language or geography, but a shared longing. A shared desire to become.” Photo credit: Bollywood Hungama via ‘Wikimedia Commons’

My Story Jul '25

Rituparno Ghosh: Seen, unseen, and known in my own way

By Tara Asgar

In Rituparno Ghosh and his cinematic work Tara Asgar finds a shared longing to become something beyond binaries

This photograph shows a long-shot of an evening sky taken from the window of the south-western corner room that the author occupies in his new home on the third floor of a building. The sky outside is a deepening blue-velvet, with some clouds in the horizon tinged with the light pink and orange of a setting sun not visible in the photograph. A silhouetted pine tree occupies centre stage against the sky, with more trees and the upper floors and rooftops of buildings in the neighbourhood visible in the background. Some of the buildings are silhouetted against the sky, while one of them has windows lit from inside. In the foreground are the awning and the horizontal railings of the author’s window. The railings are placed quite wide apart and add to the drama of the view rather than interrupt it. The photograph conveys a sense of evening calm before the darkness takes over. Photo credit: Pawan Dhall

Vartanama Jun '25

‘Kalbaisakhi’ and the crow

By Pawan Dhall

Pawan Dhall on the views and viewpoints he has come across and dwelt on since he moved to a new residential address a year ago

This illustration is a combination of a photograph and text extracted from the accompanying article. The photograph shows a scene from the dialogue ‘Queer Worldmaking in the Face of Conversion Therapy’ that took place at Kalinath Angan, Kolkata on January 18, 2025. Moderator Meghjit Sengupta (centre) and panellist Aritra C. (to Meghjit’s left) look on as panellist Meera Dhebar makes a point during the dialogue. Meera refers to a file on her laptop as she speaks. The laptop is kept on a centre table placed close to the three speakers. A Progress Pride Flag can be seen mounted on the wall behind the speakers. A phone mounted on a tripod stand for recording the dialogue is placed a couple of feet from the speakers. The scene captured in the photograph can also be seen on the mobile phone screen. The accompanying text says: “Because sometimes in this very cis-heteronormative and heteropatriarchal world steeped in discourses of othering, a few moments of solace in being seen can provide enough joy to carry us through the moments of isolation and disconnection.” Photo credit: Pawan Dhall

Commentary Jun '25

On queer self-determination (part 1)

By Meera, Aritra C.

An e-conversation series between mental health professionals Meera Dhebar and Aritra C. on queer worldmaking across time periods and cultures

This photograph shows a mid-range shot of a collective display of the five zines made by the author Mekuriiko for the exhibition ‘Queer Objects 1.0’ organized in Guwahati in late 2023. Several copies of each of the zine are placed, somewhat casually, on a low box-like display stand. The display is just next to a blank white wall of the exhibition hall. The covers of the zines read ‘Love is Love’, ‘The Queer Manifesto’, ‘Queer Objects’, ‘Queer Revelations’ and ‘You Will Die, And So Will I’. A sticky note next to the zines urges the viewers to flip through the zines. Photo credit: Mekuriiko

Creations, Insight May '25

Storytelling through zines

By Mekuriiko

Mekuriiko writes for the first in a series of articles on the experience of the artists who participated in ‘Queer Objects 1.0’, a one-of-its-kind exhibition held in Guwahati in late...

This is a medium range indoor photograph of the launch ceremony of ‘Kink and Sex Work: A VAMP Institute Report’. The report launch was one of the highlights of ‘Kink Con 24’. Several people can be seen standing in a row, holding up a copy of the report, and facing the camera with a smile. From left to right are kink-affirmative psychologist and report co-author Pompi Banerjee; an anonymous member of the Kinky Collective who has covered their face with the report; feminist activist and report co-author Jaya Sharma; sex worker rights activist Aarthi Pai; theatre artist Mallika Taneja; sex worker rights activist Meena Seshu; and sex educator Leeza Mangaldas. A cinema screen and conference signage can be seen mounted on a wall behind the people mentioned. A few people in the audience can be seen seated while facing away from the camera. The conference room is illuminated gently with a mild golden glow. Photo courtesy Kinky Collective

Happenings Mar '25

On the right to one’s body and desires

By Pompi Banerjee

How sex workers navigate kinky desire and consent in their work was among the central themes of ‘Kink Con 2024’, writes Pompi Banerjee

This illustration is a combination of a photograph and text extracted from the accompanying article. The photograph shows a small rainbow with the six queer pride colours (violet, blue, green, yellow, orange and red) drawn with chalk on a dark grey and stony sidewalk. The accompanying text says: “Clearly, family acceptance interventions must be broad-based and seek to lessen the burden on the parents, who may be just as trapped as their queer child by societal norms. There is nothing like allies emerging from within the family! Allies of not just the queer child, but also the parents. This could make it much easier for the parents to come to terms with their child’s reality.” Photo credit: Alex Jackman on Unsplash

Insight Nov '24

Queer allies in need of allies

By Mahua Seth

Mahua Seth points out the importance of allies within the larger family fold for parents of queer individuals

This daytime photograph shows 13 of the pilot Queer Kolkata Heritage Walk participants, a mix of genders and ages, posing for the camera below a gazebo at the Park Circus Maidan in South Kolkata on July 2, 2024. The gazebo was the starting point for ‘Friendship Walk ‘99’ on July 2, 1999, the 25th anniversary of which was observed through the heritage walk. Most of the participants, four of them ‘99ers’, are wearing bright yellow t-shirts designed for the occasion with the slogan “Bound by friendship, united in pride” emblazoned on the front side. There are brights smiles and laughter on their faces as they stand on the marble steps and platform of the gazebo, and look at the camera or at each other. Blue jeans, shorts, shoes, shoulder bags, and colourful umbrellas of the walkers compliment the bright green of the grass and shrubs behind the gazebo. The asbestos roof of the gazebo has an interesting pattern of blue, gray and rust, which stands out against the overcast sky. The pillars of the gazebo holding up the roof are coloured bottle green. Someone’s bedding and other personal possessions, possibly a street dweller’s, can be seen on the platform behind some of the walkers. Photo credit: Partha Banerjee

Happenings, Vartanama Sep '24

Where do we go to look for queerness in Kolkata?

By Mihir Seth

Mihir Seth reflects on the pilot Queer Kolkata Heritage Walk held on July 2, 2024 to mark the 25th anniversary of ‘Friendship Walk ‘99’

This graphic shows a poster made for the promotion of the film ‘Don’t Interrupt While We Dance’. On a scarlet red background, the name of the film in large stylized lettering in yellow and white is juxtaposed against the images of a gun and a dancing human figure, arms splayed. Several pairs of angry eyes symbolizing the damning eyes of the State or a repressive society, stare on in the backdrop, behind the lettering. The name of the filmmaker Anureet Watta is mentioned at the bottom of the poster. Poster design by Sharannya Eledath Mukherji and illustration by Yathaarth Yadav

Cinemascope, Insight Sep '24

How can we be gentle if we aren’t very angry?

By Anureet Watta

‘Don’t Interrupt While We Dance’ is a film about queer and trans joy interrupted by the State, police, and shadows of violence and scrutiny that have always been cast on...

This night-time photograph shows up close a scene from a pre-Independence Day rally near the Ruby Hospital crossing in South Kolkata to protest the rape and murder of a trainee doctor at R. G. Kar Medical College & Hospital on August 9, 2024. A throng of people fill up the photograph with raised fists, mobile phones with lit torches held up, banners with slogans like “We demand justice for victim” in English and Bengali, and a variety of posters with graphics and textual material. Some protesters are holding lit candles. The atmosphere seems charged with anger and cries for justice. In the background, is a building with its windows lit up and a large tree with leaves glistening under the streetlights. Photo credit: Pawan Dhall

Vartanama Aug '24

Embodying the justice one is demanding

By Pawan Dhall

Self-reflection and self-transformation have an important place in social campaigns for justice, argues Pawan Dhall

This photograph shows a scene from the re-enactment of the skit ‘Koti Ki Atma’ at Café Adda Ghar, Kolkata on November 4, 2023. Three actors are acting out a scene before a small invited audience. The play is being performed in an open but small and intimate part of the café, lit with a few overhead lamps and other sources of light not visible in the photograph. A black cloth background and a few props form the backdrop behind the actors who are facing the camera. Some of the members of the audience visible in the photograph, half a dozen or so (of the total 40-45), are seated close to the actors on plastic chairs, and have a bemused look as they watch the play up close. A video camera can be seen on the left edge of the photograph recording the play. A photographer, with her camera in hand, is also among the audience, standing just next to the people seated. Darkened tall glass panes forming one of the walls of the café can be seen behind her. A poster of the café menu is pasted on one of the glass panes. Photo credit: Suchandragraphy

From the Archives, Insight Jul '24

Remembered sexual futures

By Diksha Sanyal

Diksha Sanyal summarizes a study on the art and cultural advocacies undertaken by queer community groups in West Bengal in the 1990s and 2000s. The study has been co-developed by...

Happenings, Vartanama Jun '24

Celebrating the magic of friendship

By Pritha Bhattacharya, Sambrita Chakraborty

Pritha Bhattacharya and Sambrita Chakraborty report on an art exhibition to mark the 25th anniversary of ‘Friendship Walk ‘99’, India’s first rainbow pride walk held in Kolkata on July 2,...

Quote: Tamil Nadu’s draft gender and sexual minority policy does not simply make a claim for marriage equality for queer persons but nudges the State to reimagine the family beyond kinship and marriage. By doing so it focuses on the functional conceptualisation of the family, namely what families should do, as opposed to the form of the family, namely what families should look like. A functional approach thus seeks to centre values of mutual care, love and dependence as definitive of a family, as opposed to only marriage and biological relatedness. The draft policy thus marks an entry into a radical possibility of family law expanding beyond its narrow normative foundations.

Insight May '24

Queering the family: Tamil Nadu shows the way

By Namrata

Namrata writes about the developments around the Deed of Familial Association in Tamil Nadu and how it can lead to recognition of queer relationships

Tagged Under: Activism

On queer self-determination (part 4)

On queer self-determination (part 3)

The wall that held me

Random thoughts 30 something years ago

Rituparno Ghosh: Seen, unseen, and known in my own way

‘Kalbaisakhi’ and the crow

On queer self-determination (part 1)

Storytelling through zines

On the right to one’s body and desires

Queer allies in need of allies

Where do we go to look for queerness in Kolkata?

How can we be gentle if we aren’t very angry?

Embodying the justice one is demanding

Remembered sexual futures

Celebrating the magic of friendship

Queering the family: Tamil Nadu shows the way

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